Surreal cinematic scene inspired by Sergei Yesenin's "Black Man" poem. A gaunt, pale young poet (30s) in a disheveled 1920s suit sits at a wooden table in a dimly lit room. Opposite him: a translucent, shadowy doppelgänger — "Black Man" with void-like eyes and a distorted, melting face. Between them: a shattered mirror reflecting dual realities. Key symbols:
- A broken violin floating mid-air with ghostly hands playing it
- Frozen black roses on the table
- Crows emerging from an antique clock (time frozen at 3 AM)
- Snowstorm visible through a frost-covered window
Atmosphere: psychological horror, existential dread, Russian symbolism. Visual style: blend of German Expressionism (like "The Cabinet of Dr. Caligari"), Andrei Tarkovsky's color grading, and Zdzisław Beksiński's surreal decay. Color palette: monochrome with accents of sickly yellow (candlelight), inky black, and blood-red rose petals. Ultra-detailed, 8k, film grain, dramatic chiaroscuro lighting --ar 16:9 --style raw --v 6.0
