Cinematic dark noir album cover, rainy night in a 1940s-inspired city, narrow street with wet asphalt reflecting dim streetlights. A lone figure — a woman in a long coat and hat — stands under a flickering lamp, her face half-hidden in shadow, holding a delicate pale tea rose. The rose is the central symbol: its petals softly glowing in two tones — pale yellow (jealousy, sorrow) and soft pink (love), with subtle light bleeding into the darkness. Raindrops slide down the petals in slow motion, catching the light like tears. Background: blurred silhouettes of old buildings, neon signs barely visible through fog, distant figure disappearing into shadow, suggesting loss or longing. A faint smoky haze curls through the scene, like cigarette smoke or memory dissolving. Atmosphere: melancholic, introspective, poetic tension between love and pain. Lighting: strong contrast, chiaroscuro, deep shadows, soft highlights on wet surfaces. Color palette mostly monochrome (black, gray, cold blue) with the rose as the only vivid color accent. Ultra detailed, cinematic composition, shallow depth of field, film grain, subtle glow, noir aesthetic, emotional storytelling, album cover style, high realism.