Shot from a high ¾ angle behind, looking over the woman's shoulder. She sits not in lotus, but in a precise, geometric kneeling pose (seiza), hovering. Her white-and-red armor is perfectly still. Before her floats not one, but THREE large, jagged mirror-shards of her own armor, arranged in a fan. Each shard reflects a different fragment of the decaying world: one shows a dirigible's engine, another a broken spire, the third a faded neon sign. Her calm face is reflected in all three, but her real eyes are closed. Her fingertips gently touch each shard, as if tuning them like instruments. Red data streams flow from her fingers into the reflections, annotating the decay with glowing symbols. Cinematic, hyperrealistic.
